[ scores and full recordings are available upon inquiry ]


Living in the Pulsing Light (2008) [10:00-12:00]
for electric lap steel, accordian, and synthesizer with video-controlled MAX/MSP environment
(in collaboration with Liz Stephens)

String Quartet ("The Waves") (2008) [in progress]
based on Virginia Woolf's "The Waves" and T.S. Eliot's "The Dry Salvages" from the Four Quartets, and my recent oceanic travels

Untitled (2008) [in progress]
for trumpet and small chamber ensemble (for Chris Kallmyer)

Untitled (2008) [in progress]
for 10-14 homemade radio transmitters (large scale installation)



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Singing Ghost (from "Ghost Music") (2008) [about 8:00]
for solo percussion (four temple bowls, gong, and finger cymbals)

Ghost Music (2007-2008) [about 52:00]
for solo percussion

The Heart Strobed Superimposed (2008) [approx. 7:00]
in collaboration with Liz Stephens (video) and Matthew Hittinger (text)
single-channel video, field recording, and text

Evening Song (2008) [approx. 8:00-10:00]
for spatially-arranged brass trio (trumpet, horn, and trombone)

Riverbed Echo (2006-2007) [about 13:00]
for choir and string trio

for six guitars, dispersing (2007) [38:00]
six-channel recorded media

Soft Song (for Trumpet, Piano, and Triangle) (2007) [about 2:30]

Ghost Light Trio
(2006) [about 10:00]
for three percussionists and electronic playback

Soft Song (for Solo Cello)
(2006) [about 9:15]

[Untitled] Music for the film series "Next to Heaven" (2006) [5:20]
recorded media and found recordings

Landscape Circles / Three Pages for Sheet Metal (2006) [about 30:00]
in collaboration with video artist Adrian Parsons

for six metal sheets, PA system, two video projectors, and any two sustaining instruments

Sonata for Solo Violin (2005) [approx. 30:00-36:00]

12 Stereos (2005) [any number of 6 hour cycles]
for twelve household stereos and amplified trumpet

Move a New Wing for (2005) [about 10:00]
for trumpet and bass trombone

Morning Music (2005) [about 4:00]
for vocal quartet (two female singers, two male singers)

Always a Radio Tower in Sight (2004) [5:00]
for electric guitar, trumpet, and two morse code signals

Resounding Room (2004) [any number of 60:00 sessions]
for minidisc recorder, microphone, and playback system

Silent House (2004-5) [25:00]
for solo piano