Instrumental

As night drifts up like a little boat (2009)
solo acoustic guitar, 3'00"

Small Stones (2009) (about 8:30)
percussion duet version, 8'30"

Small Stones (2008-9) (about 8:30)
flute and percussion, 8'30"

Singing Ghost (from "Ghost Music") (2008)
solo percussion (four temple bowls, gong, and finger cymbals), 8'00"

Ghost Music (2007-8) [about 52:00]
solo percussion, about 52'00"

Evening Song (2008)
for spatially-arranged brass trio (trumpet, horn, and trombone), approx.10-12'

Soft Song (for Trumpet, Piano, and Triangle) (2007)
trumpet, piano, and triangle (piano/triangle - one player), about 2'30"

Riverbed Echo (2006-7)
for chamber choir and string trio, 13'00"
text by Kaia Sand

Ghost Light Trio (2006)
for three percussionists and 2 channel playback, 10'00"

Soft Song (for Solo Cello) (2006)
solo cello, about 9'30"

Sonata for Solo Violin (2005)
solo violin, about 36'00"

Morning Music (2005)
for vocal quartet (SATB), 4'00"

Move a New Wing for (2005)
trumpet and bass trombone, about 10'00"

Always a Radio Tower in Sight (2004)
for electric guitar, trumpet, and two morse code signals, 5'00"


Multimedia / Installation / Electroacoustic

Untitled (for Chris Kallmyer) (2010) [in progress]
processed recordings and MAX/MSP, about 20'00"

Faintly Reflected Upon (2010)
in collaboration with Devan Mulvaney (video)
for electric guitar, cello, percussion and single-channel video projection

Boulder / Tree / Wall (2008-9)
in collaboration with J.T. Kirkland, for processed field recordings and video, 13'50"

Untitled (2009)
in collaboration with K. Weathersby
recorded media (installed speakers into two canvases), 16'30"

Beacon (2009)
recorded media (processed field recordings and reel-to-reel tape), 1'00"
for the NMNMNE 60x60 project

Untitled (2009)
in collaboration with Devan Mulvaney, Bill Solomon, and Lief Ellis
single-channel video, live electronics/laptops, processed field recordings, lap steel guitar, and percussion, 15'00"

Untitled ("Crab") (2009)
in collaboration with Liz Stephens, Bill Solomon, and Lief Ellis
single-channel video, live electronics/laptops, processed field recordings, and percussion, 12'00"

Summer Night Sea (2008)
recorded media (processed field recordings), 1'16"

Living in the Pulsing Light (2008)
for MAX/MSP and pre-recorded lap steel guitar, 9'45"

The Heart Strobed Superimposed (2008)
in collaboration with Liz Stephens (video) and Matthew Hittinger (text)
single-channel video, field recordings, toy zither, laptop, video, and text, 7'00"

for six guitars, dispersing (2007)
six-channel recorded media, 38'00"

Ghost Light Trio (2006)
for three percussionists and 2 channel playback, 10'00"

Landscape Circles / Three Pages for Sheet Metal (2006)
in collaboration with video artist Adrian Parsons
for six metal sheets, PA system, two video projectors, and any two sustaining instruments, about 30'00"

12 Stereos (2005)
for twelve household stereos and amplified trumpet, any number of 6 hour loops

Resounding Room (2004)
for minidisc recorder, microphones, and 2-channel playback, any number of 60'00" sessions