live instruments (w/ or w/o electronics)    electroacoustic & sound art     collaborative


untitled (2010) [in progress]
cello, voice, and laptop (MAX/MSP)
in collaboration with Joshua Gottlieb-Miller (text) and Michael Linert (cello/voice)

crossing/rising (2010)
cello, percussion (four rice bowls and crotales), and two sustaining instruments, about 13'00"

stream (for ken steen) (2010)
two clarinets, 1'56"
commissioned by the little william theater at the hammer museum (ucla)

fast falls the tide (2010)
two accordions, about 3'00"
commissioned by the little william theater at the hammer museum (ucla)

comforts fail (2010)
two violins, 4'30"
commissioned by the little william theater at the hammer museum (ucla)

riverbed (2010)
amplified solo percussion (wooden board, pebbles, leaves, and two contact mics), 10'30"
commissioned by full force dance theatre and studio for electronic music inc.

small stones (2009)
percussion duet version, 8'30"

small stones (2008-9)
flute and percussion, 8'30"

singing ghost (from "ghost music") (2008)
solo percussion (four temple bowls, gong, and finger cymbals), 8'00"

ghost music (2007-8)
solo percussion, about 52'00"

evening song (2008)
spatially-arranged brass trio (trumpet, horn, and trombone), approx.10-12'

soft song (for trumpet, piano, and triangle) (2007)
trumpet, piano, and triangle (piano/triangle - one player), about 2'30"

riverbed echo (2006-7)
chamber choir and string trio, 13'00"
text by Kaia Sand

ghost light trio (2006)
three percussionists and processed field recordings (stereo playback), 10'00"

soft song (for solo cello) (2006)
solo cello, about 9'30"

sonata for solo violin (2005)
solo violin, about 36'00"

morning music (2005)
vocal quartet (SATB), 4'00"

move a new wing for (2005)
trumpet and bass trombone, about 10'00"

always a radio tower in sight (2004)
electric guitar, trumpet, and two morse code signals, 5'00"



electroacoustic & sound art

manmade mountains and underground river (2010)
processed field recordings and MAX/MSP (6 channel dispersion), any number of 36'00" loops
funded by the goldwell open air museum (rhyolite, nv) residency program

partch chimes + tuned river (2010)
recorded media (processed field recordings), 8'10"

beacon (2009)
recorded media (processed field recordings and reel-to-reel tape), 1'00"
for the NMNMNE 60x60 project

summer night sea (2008)
recorded media (processed field recordings), 1'16"

living in the pulsing light (2008)
recorded lap steel guitar and MAX/MSP, 9'45"

six guitars, dispersing (2007)
six-channel recorded media (microtonal electric guitar), 38'00"

12 stereos (2005)
recorded media dispersed to twelve household stereos and amplified trumpet, any number of 6 hour loops

resounding room (2004)
minidisc recorder, microphones, and 2-channel playback, any number of 60'00" sessions



collaborative

faintly reflected upon (2010)
with Devan Mulvaney (video)
for electric guitar, cello, percussion and single-channel video projection, 9'45"

boulder / tree / wall (2008-9)
with J.T. Kirkland
processed field recordings and three-channel video, 13'50"

untitled (2009-10)
with K. Weathersby
recorded media (installed speakers into two canvases), 16'30"

shadow people (2009)
with True Womanhood
interactive sound art (stereo dispersion), MAX/MSP, wooden organ pipes, and live samples

untitled (2009)
with Devan Mulvaney, Bill Solomon, and Lief Ellis
single-channel video, live electronics/laptops, processed field recordings, lap steel guitar, and percussion, 15'00"

untitled ("crab") (2009)
with Liz Stephens, Bill Solomon, and Lief Ellis
single-channel video, live electronics/laptops, processed field recordings, and percussion, 12'00"

the heart strobed superimposed (2008)
with Liz Stephens (video) and Matthew Hittinger (text)
single-channel video, field recordings, toy zither, laptop, video, and text, 7'00"

landscape circles / three pages for sheet metal (2006)
with video artist Adrian Parsons
six metal sheets, PA system, two video projectors, and any two sustaining instruments, about 30'00"