all scores (c) matt sargent music [bmi]


2011

oxbow : score : solo percussion, 6'30"

four pieces for the generous ensemble : score : texts and environmental works

millerton canon : recorded metal pipes, wind, and breath and real-time processing (MAX/MSP), about 8'

tide : score : audio : nine sliding instruments, 7'30"


2010

Tky : images : assembled recordings, four speakers and two iPods installed in canvases, 9'41"
with Ken Weathersby

a river is many single things going to almost the same place at almost the same time : audio
thirty layers of recorded percussion (Bill Solomon, percussion), 14'30"

manmade mountains and underground riveraudio
field recordings from Rhyolite, NV, wind sensors, and MAX/MSP (6-channel dispersion), any number of 36' cycles

crossing/rising : scoreaudio : cello, percussion, and two wind instruments or soprano voices, about 15'

stream (for ken steen)score : two clarinets, 1'56"

three pieces for the machine project : duet miniatures for clarinets, accordions, and violins

partch chimes + tuned river : audio : processed field recordings, stereo fixed media, 8'10"

riverbed : video : amplified solo percussion (wooden board, pebbles, leaves, and two contact mics), 10'30"
with Full Force Dance Theatre; Katie Stevenson, choreography

faintly reflected upon : video : electric guitar, cello, percussion, and video, 9'45"
with Devan Mulvaney, video


2009

small stones : scoreaudio : two percussionists, 8'30"

small stones : flute and percussion version, 8'30"

boulder / tree / wall : audio : processed field recordings of river stones and three-channel video, 13'50"
with J.T. Kirkland, video


2008

singing ghostscore : video : solo percussion, 8'

ghost music : score : audio : solo percussion, about 52'

living in the pulsing light : audio : recorded lap steel guitar and MAX/MSP, 9'45"

beacon : audio : processed field recordings, 1'16"

evening song : score : audio : trumpet, horn, and trombone, about 10-12'

the heart strobed, superimposed : field recordings, real-time processing, text, and video, 7'20"
with Liz Stephens, video; Matthew Hittinger, text


2007

six guitars, dispersing : audio : six-channels of recorded microtonal electric guitar, 37'

soft song (for trumpet, piano, and triangle)audio : trumpet, piano, and triangle, 2'45"

riverbed echo : chamber choir and string trio, 13'
with Kaia Sand, text


2006

ghost light trio : score : audio : three percussionists and processed field recordings of Amtrak trains, 10'10"

soft song (for solo cello) : scoreaudio : solo cello, about 9'30"

landscape circles / three pages for sheet metal : six amplified metal sheets, recorded materials, and video projections, about 30'
with Adrian Parsons, video


2005

sonata for solo violin : solo violin, about 36'

12 stereos : recorded media dispersed to twelve household stereos, any number of 6 hour loops

morning music : vocal quartet, SATB, 4'

move a new wing for : trumpet and bass trombone, about 10'


2004

resounding room : digital recorder, stereo condenser microphone, and stereo playback, any number of 60' sessions

silent house : solo piano, 25'

always a radio tower in sight : electric guitar, trumpet, and two morse code signals, 5'