Scores are available upon request

Ensemble

Unwound Path (2018)
flute, clarinet, piano, percussion, violin, and cello, 16'

Edge of the Light (2017)
chamber orchestra, 13'

Three Illuminations (2016)

flute, clarinet, trombone, violin, bass, and electronics, 10'30"

Singing Shore (2016)
trumpet and orchestra with electronics, 15'

A Series of Breaths (2013)
flute, percussion, piano, violin, cello, 13'

Separation Songs (2013)
54 computer-generated variations on the hymns of William Billings, for two string quartets, 72'

Ghost Light Trio (2006)
three percussionists and electronics, 10'

Solos and duos

Fourth Illumination (2018)
piano and vibraphone duo with electronics, 21'

Third Illumination (2018)
vibraphone and glockenspiel with electronics, 21'

Second Illumination (2017)
solo glockenspiel with electronics, 16'

Going, gone (2016)
solo piano, 7' 

Pillars of Decay (2016)

percussion duo with real-time electronics (Skewed and Such), 66’
with Jeff Herriott, Trevor Saint, and Amanda Schoofs

Tide (violin and cello) (2015)
violin and cello duo with twenty recorded strings, 21'

Tide (violin) (2015)
solo violin with ten recorded violins, 21'

Tide (cello) (2015)
solo cello with ten recorded cellos, 21'

Tide (bass) (2015)
solo bass with ten recorded basses, 21'

More Snow to Fall (2015)
solo glockenspiel, 7'

Saint (2013)
solo percussion, 26' 

Oxbow (2011)
solo vibraphone, 7'

Riverbed (2010)
amplified solo percussion and objects (stones, leaves, and wood), 10'30"

Small Stones (2009)
percussion duo, 8'30"

Ghost Music (2008)
solo percussion, 52'

Singing Ghost (2008)
solo percussion, 8'

Soft Song (for solo cello) (2006)
solo cello, 9'30"

Media and installation (selected)

no where i'm bound (2012)
processed flute recordings and seven-channel dispersion, 12'

Tky (2011)
four speakers installed in two canvases
with Ken Weathersby

A River is Many Single Things Going to Almost the Same Place at Almost the Same Time (2010)
thirty layers of recorded percussion, 14'30"

Manmade Mountains and Underground River (2010)
field recordings, tuned pipes, and six-channel dispersion, 36’ cycles

Six guitars, dispersing (2007)
recorded electric guitars, six-channel dispersion, 37'